# Photographs and artwork ## Four additional Concert for the Biocene photographs ### biocene-stage The UceLi Quartet performs onstage, facing the plants filling the auditorium and five tiers of golden balconies. Eugenio Ampudia. Photograph: Pedro Martínez de Albornoz. Source: Max Estrella. Source: https://maxestrella.com/work/concert-for-the-biocene-2/ Original file: https://maxestrella.com/app/uploads/2020/09/2-150x236cms-Eugenio-Ampudia-Concierto-para-el-Bioceno.jpg ### biocene-overhead From the highest balcony, the horseshoe-shaped auditorium curves around a sea of plants and the quartet below. Eugenio Ampudia. Photograph: Pedro Martínez de Albornoz. Source: Max Estrella. Source: https://maxestrella.com/work/concert-for-the-biocene-3/ Original file: https://maxestrella.com/app/uploads/2020/09/02_3-220-x-130-cms-Eugenio-Ampudia-Concierto-para-el-Bioceno.jpg ### biocene-auditorium A view toward the red stage curtain, with the musicians surrounded by a theatre full of plants. Eugenio Ampudia. Photograph: Pedro Martínez de Albornoz. Source: Max Estrella. Source: https://maxestrella.com/work/concert-for-the-biocene-5/ Original file: https://maxestrella.com/app/uploads/2020/09/5-150-x-200-cms-Eugenio-Ampudia-Concierto-para-el-Bioceno.jpg ### biocene-balcony Leaves fill the foreground of a wide balcony view across the golden opera house toward the quartet. Eugenio Ampudia. Photograph: Pedro Martínez de Albornoz. Source: Max Estrella. Source: https://maxestrella.com/work/concert-for-the-biocene-7/ Original file: https://maxestrella.com/app/uploads/2020/09/01_7-140-x-300cms-Eugenio-Ampudia-Concierto-para-el-Bioceno.jpg Photographer credit is confirmed by the Artist field in each original JPEG's EXIF: Pedro Martinez de Albornoz. These are full-frame screen-size derivatives, not crops or reconstructions. Rights remain with their respective holders; no open license is asserted. ## Concert for the Biocene Eugenio Ampudia, UceLi Quartet and collaborators, 2020. The gold balconies and red seats of Barcelona’s Liceu theatre filled with green plants, seen from the stage. Eugenio Ampudia. Photograph: Pedro Martínez de Albornoz. Source: Max Estrella. Source: https://maxestrella.com/exhibition/concert-for-the-biocene/ A string quartet performs onstage beyond the potted plants occupying the theatre seats. Eugenio Ampudia. Photograph: Pedro Martínez de Albornoz. Source: Max Estrella. Source: https://maxestrella.com/exhibition/concert-for-the-biocene/ ## Running Fence Christo and Jeanne-Claude, with their project team, 1976. Running Fence follows the rolling California hills in a long ribbon of illuminated white fabric. Photograph: Wolfgang Volz. © 1976 Christo and Jeanne-Claude Foundation. Source: https://christojeanneclaude.net/artworks/running-fence/ A helicopter lowers a steel pole toward workers on the California coast during the installation of Running Fence in 1976. Photograph: Wolfgang Volz. © 1976 Christo and Jeanne-Claude Foundation. Source: https://christojeanneclaude.net/artworks/running-fence/ ## Homage to New York Jean Tinguely, Billy Klüver and collaborators, 1960. Jean Tinguely stands amid the white-painted wheels, drums and machinery of Homage to New York during its 1960 performance. Photograph: David Gahr. Source: Museum Tinguely, Basel. Source: https://www.tinguely.ch/en/tinguely-collection-conservation/tinguely-biographie.html ## Pepsi Pavilion Experiments in Art and Technology, 1970. Fog passes over the faceted Pepsi Pavilion at Expo ’70, with Robert Breer’s white floats on the plaza. Photograph: Shunk-Kender. Source: Experiments in Art and Technology. Source: https://www.experimentsinartandtechnology.org/pepsi-pavilion Visitors in the Pepsi Pavilion’s mirror dome see inverted images of people suspended above them. Experiments in Art and Technology archive. Source: https://www.experimentsinartandtechnology.org/mirror ## Gossamer Condor Paul MacCready, Bryan Allen and their team, 1977. Bryan Allen pedals the Gossamer Condor above the runway while members of the team run and cycle alongside, September 24, 1977. Photograph: Don Monroe, September 24, 1977. Source: https://donaldmonroe.com/1_gallery/ Greg Miller pedals an early Gossamer Condor with an uncovered fuselage at Mojave Airport, January 14, 1977. Photograph: Don Monroe, January 14, 1977. Source: https://donaldmonroe.com/1_gallery/ Photographs and artworks remain the work of their respective creators. Images are shown full-frame, resized for the screen. ## Share illustration The social banner is an original AI-generated paper-model illustration created for What Original. It is not a historical photograph or an exact reconstruction of the Liceu. ## Typeface Figtree is distributed under the SIL Open Font License. The license is included at /fonts/OFL-Figtree.txt. ## Additional Homage to New York photograph Smoke surrounds the wheels and machinery of Homage to New York, with a person standing at the right. Source: Museum Tinguely, Basel. The museum presents this photograph under the chapter caption “Homage to New York”, 1960. No photographer is identified for this chapter image. Source: https://www.tinguely.ch/en/tinguely-collection-conservation/tinguely-biographie.html Full frame, resized for the screen. Rights remain with their respective holders; no open license is asserted. ## Additional Running Fence photographs The white fabric of Running Fence descends a sunlit California hillside toward the Pacific Ocean. Christo and Jeanne-Claude, Running Fence, 1976. Photograph: Wolfgang Volz. © 1976 Christo and Jeanne-Claude Foundation. Official press photograph 545: https://christojeanneclaude.net/downloads/?image=545 Seen from offshore, Running Fence crosses the California hills and runs down a rocky cliff into the surf. Christo and Jeanne-Claude, Running Fence, 1976. Photograph: Wolfgang Volz. © 1976 Christo and Jeanne-Claude Foundation. Official press photograph 552: https://christojeanneclaude.net/downloads/?image=552 Source and terms: https://christojeanneclaude.net/press/running-fence/ The Foundation lists these photographs for noncommercial editorial press use in conjunction with the artists or an exhibition, with accurate adjoining credits. This is an editorial account of the artists’ work. Rights remain with their holders; this is not an unrestricted reuse license. Images remain full-frame, resized only. ## Running Fence film link The link opens the artists’ page, which presents a 57-second excerpt from Christo: Works in Progress (1978), directed by Michael Blackwood, showing Running Fence in 1976. Courtesy of Michael Blackwood Productions. No video file is copied, embedded or requested by this page. Source: https://christojeanneclaude.net/artworks/running-fence/ ## Additional Pepsi Pavilion photographs Source: Experiments in Art and Technology (E.A.T.), Mirror. https://www.experimentsinartandtechnology.org/mirror ### Schjeldahl fabrication The documentation gallery identifies this image as “Schjeldahl fabrication”. The full scan, including the Schjeldahl Company imprint, is retained. The person and individual photographer are not identified here. Original: https://static.wixstatic.com/media/279ecb_480a8b24a0fc41a5b184dc59dfadbd47~mv2.jpg ### Visitors with a blooming balloon The experience gallery identifies this image as “visitors with blooming balloon”. The individual photographer is not identified on this source page. Original: https://static.wixstatic.com/media/279ecb_6242530fcf584e29b2a1804befd8c425~mv2.jpg Both images retain their full frames and are resized only. No open reproduction license is asserted; rights remain with their respective holders. Credits attached to other Pavilion photographs are not transferred to these images.